I’m really glad I went to church today. Yes, it’s always a comforting place where I can find friends and words that normally uplift me in this crazy, confused world. And today, I found an incredibly inspiring artist: Finish artist Helene Schjerfbeck (1862 – 1946).
I guess I should explain that in our Unitarian Universalist Church we use art, music and poetry every Sunday. When we removed a hand-made tapestry from behind the pulpit several years ago and added a large projection screen, I was concerned that we were becoming too computerized and maybe a bit cold. But they use this wide-screen to project poetry, words of songs, and yes, art every Sunday!
An Artist That Inspires
My newest artist that inspires painted more than 7 decades ago, and while she is best known for her early realistic paintings, the ones that mesmerized me are her later paintings that are nearly abstract images.
While unknown to me, Helene Schjerfbeck is a Finnish national icon. Her early style was very naturalistic, honed during her studies in France. Her talent was recognized early and she was widely traveled However, in her later years she spent much of her time in a quieter atmosphere.
Next year (2019), the Royal Academy of Arts will exhibit over 60 of her portraits, landscapes and still lifes. Their exhibit publicity calls this a “long-overdue survey that traces the evolution of her remarkable career.” They plan to highlight a sequence of her self-portraits, which they believe reveal her “lifelong fascination with the physical and psychological process of aging”—what lies beneath the skin and bones.
Influences of My Current Work
I too have found that as the years pass, I am simplifying my paintings. While a lot goes in at the beginning, much gets covered up and painted over. I am finding I must be honest and clear about my intent, and I must spend a lot of time journaling and observing. It is not linear, but rather a process that allows for overlap—a back and forth, a push and pull, an addition and reduction approach.
In particular, I am observing women artists because I believe they are best at distilling ideas and objects to their essence. This is a challenge I have given myself: to find what means the most to me and to simplify the imagery until only the important elements remain.