Space Is Limited
It’s getting crowded again, but not in a bad way. As I look around the studio, I see a lot of unfinished work, but I also see what may be politely referred to as “reworked paintings.” Does this say something about my current work habits (well perhaps) or does it also say something about many of us who just enjoy creating. Artists are finished when they are finished. But after living with a artwork for a while they may simply feel the need to change it a little, or change it significantly.
In a 2014 article in ArtNews, author Ann Landi wrote, “choosing when to stop altering a piece can be a highly individual decision, as idiosyncratic and personal as style, and there are instances in which a work is never fully done, at least in its creator’s mind.”
I lean in this direction, but I am also afraid of a painting being “overdone.”
Now You See It, Now You Don’t
In Landi’s article, she describes sculptor, Nari Ward, (http://www.artnet.com/artists/nari-ward/) who recycles pieces of one sculpture using it in another. He says “simply changing a venue for a particular work can mean it has to be re-formed to fit its site.” And he admits that sometimes the original artwork can disappear. When a gallery asks if a particular original work is available to sell, he often has to admit, “no, it’s something else now.”
Does the Art Change Or Is It the Artist
I believe that unfinished work and work that is being recreated may actually be a sign of changes in our own lives—not just in our art, but in ourselves. We are not the same person at 30 or 40 that we were at 20 and different events change us. We don’t even stay the same when we are much older, so neither should our artwork. Our artwork would or should reflect who we are in that moment.
The artist is the real story here, that and their ability to put it on canvas, or metal, or wood, or whatever materials they converse with. And if that conversation changes over time (as surely it must), we the listeners are the richer for it.