When is a Workshop…Well Not a Workshop? Part 2 Surrealists

 

My mentoring week with Katherine Chang Liu also included “programs” that she developed for the group. For an hour each morning we viewed and discussed contemporary art. I found myself really enjoying the work of the surrealists, which was definitely not the case before. Perhaps what made me appreciate this art even more was the work another artist in the mentoring sessions—Judith Visker.

According to her bio, Judith had a career as a nurse before studying art. She painted in stylized representational style for a long time, but is now “more concerned with where the materials take me, with color relationships, formal design and surface quality.” She has exhibited in museum shows, galleries and exhibitions and has won awards. She is the Gallery Director at The Wham Art Center in Surprise, AZ where she has her studio, shows her work, and teaches classes. She graciously allowed me to share a few images. You can find more at her website: http://www.judithviskerart.com/

Enjoy.

 

When is a workshop…well not a workshop? Part

I just spent a week in Arizona working with Katherine Chang Liu, an internationally recognized artist and teacher. Katherine calls what she does mentoring, not a workshop, partly because she does not demonstrate techniques.

Katherine does not dwell on an artist’s deficiencies, instead she identifies each individual’s strengths and guides them by building upon these strengths to form their personal visual language. Her ability to discover the essence of each artist’s work was amazing. At least in my own personal case, it was positive reinforcement.

Although my work space was totally mine to organize and set up, I was fortunate enough to be near two incredible abstract artists, Nancy Dini, and Jackie Roliardi. Nancy was working with texture and Jackie with shapes. Observing the various artists and how they worked was an added benefit of the week. You can find Jackie’s work at https://jackieroliardiart.artspan.com/

Over and Over

Changing just one thing can make a difference.

Over and Over, 18" x 24", Mixed media on paper
“Over and Over,” 18″ x 24″, mixed media on paper

You know how a tune gets locked in your head, an “ear worm” they call it. I am particularly susceptible to any kind of “worm” whether a tune or a behavior. I seem to get locked into action or inaction.

I have been trying to discover how we free ourselves from repeating behavior that we know isn’t good for us, whether it is obsessing over a problem or just painting in the same way we always have. One suggestion was to change just one thing. In my yoga class the instructor often says something similar. She suggests moving the right arm out as you lift the left leg or putting the arms in front rather than behind in “child’s pose.”

I normally paint on deep wood cradles with a highly textured substrate. So I decided to paint on paper. It appears to me this one change has made me focus more on markings, which may well be a good thing.

Oh, I guess I did change two things. Instead of my classical or new age music, I listened to a bit of country. Go figure.

Perhaps you might try changing just one thing in your art or your life—or two?

Truth?

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study, 18″ x 24″, mixed media on paper

 

I read the phrase “a child’s truth” in a book recently and began to think about what it meant. Internet research detours you through a discussion of when a child begins to lie, but that’s not where I was headed. My own interest in the phrase had more to do with emotional truth. In a world where a child is seeking to connect actions and reactions, they often think they have caused an event that they had nothing to do with.

As adults we sometimes do the same. We take responsibility or blame ourselves for things that occur, but are often accidents or mere oversights. And worse, we often take credit for causing something beneficial for which at best we had very little agency.

Truth for a child is all knotted up with innocence and trust and a very “if/then” perspective of the world in which they live. It is naïve, but in my mind far less complex and far more factual than what we as adults deal with.

So truth is a grey area like so many other things, a mixture of fact and fiction, fantasy and reality, memory and illusion.

 

No Destination

borderlandwandering
“Untitled,” 16″ x 20,” mixed media collage on deep panel

The week has just started and I am tired. To say it has been difficult to concentrate on art the last few weeks is well…an understatement. Illness, my own upper respiratory infection and my elderly mother’s increasing anxiety, has consumed me.

Finding myself the bad guy is not a new role, just one that comes and goes. And no matter how you feel at the moment, you really don’t want it to return. You want all hatchets buried, all peace pipes smoked. But usually, life doesn’t work that way even with the most optimistic outlooks. To keep my own head about me, I paint.

Lately, I have been working on paper, which doesn’t create my usual amount of texture. But it still allows quite a bit, just more visual than tactile. And because there is less preparation, I can work in the moment. Luckily, most of the layers also dry a bit more quickly as well.

This one, as yet untitled, is likely part of a new series. I feel myself moving a brush, a pencil over the paper as if it is a landscape I want to explore—even though there is no definite destination.

Do we need one? Can’t we just begin a journey and see what will happen, where we will go if we follow a line?

 

 

Separating the Parts

holdingfastside
“Holding Fast,” 10″ x 10″, mixed media on wood

Lately I’ve seen some artists admonished on social media for posting comments or links that reflect their “politics.” I interpret this to mean there are those who believe an artist can separate their art from their “politics.” Perhaps there are those that can, but I cannot.

Here’s why: My art is a reflection of who I am—my joys, sorrows, experiences. When I create a painting it has many meanings. It may be inspired by nature, a beautiful piece of architecture, a poem. But always, there are deeper, more complex questions and emotions. There are bigger pictures. Some the viewer will never see.

Because it is not a party I vote for, but rather for my values and beliefs, then my “politics” will surely be incorporated into my work and my life.

Covering Everything With White

seeinginadifferentlight3detail
“Seeing In A Different Light III,” (detail of 4-sided painting 36″ x 8″ square), mixed media on wood

As I painter I know that if there is an area I don’t like in an artwork, I can cover it with white and begin again, another chance if you will. Here in the South of the US, January seems to be symbolizing that chance—a bit of a “do over” if you will. But the interesting thing is that no matter how much we cover, what is underneath is still there. A snow-covered roof may look beautiful, but if it leaks; it leaks. There is only so much covering you can do.

In my artwork I have found that after a while the paint won’t stick very well, and you have to dig deep and sand carefully to get solid surface on which to build. Perhaps it’s time to take stock, to use this as an analogy for my life as well as my work.